We have collected a bunch of movie critic reviews that have been released recently! There are some wonderful reviews, some mixed, some not so nice… =P But most all reviewers had something positive to say about MAKE YOUR MOVE! We’ve included our favorite comments from each review, but be sure to click on the link to read the entire review… and remember, it’s all in the eye of the beholder! =)
Director Duane Adler’s energetic dance flick is bound to be dismissed as a “Step Up” wannabe. But most of that series’ recent sequels were not as good as “Make Your Move.” That’s because Adler wrote the original “Step Up” (and “Save the Last Dance”). This time, he brings an efficient, well-choreographed enthusiasm to an earnest, likable romance.
Director Duane Adler’s film is a celebration of cultural hybridization. Its core dance styles are a wonderfully frenetic fusion of tap and hip-hop and a truly novel blend of Japanese taiko drumming and K-pop girl-group choreography. In an adorable meet-cute, Donny introduces himself to Aya (BoA) by challenging her to an impromptu dance-off on top of a bar. Imagine Fred and Ginger tapping under strobe lights in club gear.
The Romeo and Juliet-inspired plotline basically serves as a framing device allowing the opportunity for a plethora of exuberant dance sequences that particularly show off Hough’s considerable talent. Although it takes a while for the main characters to hook up, Hough’s Donny seals the deal with an impromptu dance duet in which he removes his shirt to reveal his admirably chiseled torso. While the Astaire-Rogers movies used dance as a metaphor for sex, in these modern variations it’s an elaborate form of foreplay.
“Make Your Move” has an underlying sweetness that serves it well. It understands the need for community, for expression, for family. It’s kind to its characters. It features a diverse cast, accurately reflecting the dance world and its inhabitants. Adler and Middleton know that when we come to a dance movie, we want a chance to see, really see, those dances. They find a way to do just that.
Duane Adler, the writer of “Step Up” and “Save the Last Dance,” capably directs “Make Your Move,” a soapy, flashy confection that juxtaposes Mr. Hough’s tap dancing with the Japanese drumming style Taiko, tossed with liberal helpings of contemporary hip-hop moves. Mr. Hough, a “Dancing With the Stars” champion, impresses with his footwork and sufficiently fulfills his romantic-lead duties. BoA is cute and appealingly impudent, but a bit more remote.
Hough is athletic as Gene Kelly and has the beautiful lines of Fred Astaire. His beautiful spins and turns and dynamic lines outclass BoA whose hip hop is good, but not as high a level as the crews on “Step Up: 3D.” Napoleon and Tabitha Dumo’s choreography matches Hough and BoA’s disparate talents into a lyrically romantic duet sequences. Gregory Middleton’s atmospheric cinematography makes grunge look glamorous and fills us with the golden light of possibilities including multicultural friendships and romance. “Make Your Move” isn’t a great movie but feature wonderful dance sequences and maybe the first step for Derek Hough into musical stardom. Please someone give Hough a Gene Kelly or Fred Astaire musical and find him a Ginger Rogers.
The sexual tention betwen Donny and Aya is hot, and if you’ve seen the trailer, you’ve probably seen the dance sequence where Donny and Aya dance/undress before their sexual encounter. The way Donny takes off his shirt is HOT!! I really enjoyed covering Make Your Move! From the red carpet, to the screening, to the fabulous after party, it is a great film, with a great director and cast, and I can’t wait to hear what your thoughts are on Make Your Move!
Here is a film that truly believes in America and the spirit of diversity upon which this country was founded; its unfortunately infrequent dance sequences depict young people moving, in a guileless effort to move young people. BoA’s cultural dexterity emerges as her most evident gift—Make Your Move takes full advantage of her fame as the only Korean artist to have two separate million-selling albums in Japan (particularly impressive given the fractious history between the two countries). The film foregrounds BoA’s multi-lingual fluency, not only overlooking her mild difficulties with English, but also openly celebrating her worldliness as proof of her right to remain in America as a true New Yorker.